Textile Tips: The Meaning of the Antique Carpet "Two Dragons Play Ball"

Antique rugs inherit and carry forward the fine tradition of ancient northwest carpets represented by Gansu and Ningxia. And in the design of the pattern to absorb the beauty of the national art, become a beautiful pattern, dyeing harmony, fine processing of the world's advanced art carpets are exported to the United States, Western Europe, South America, Japan and other countries and Hong Kong. It is made of hand-woven textiles made of long-grown fibers, good gloss, strong pulling force and moderate thickness. Antique carpets are distinguished from counterfeit antique carpets.

The antique carpet is a virtue inherited from the ruined carpet weaving process and national culture. Antique rugs extend the traditional Chinese motifs and add color to Chinese antique rugs. Traditional Chinese auspicious patterns, as formal arts, are also reflections of human thinking and ideology. There must be a process of development. To better integrate modern logo design with our traditional auspicious designs, we must make a deeper understanding of traditional auspicious designs.

As early as the totem worship in ancient times, the ancestors were full of illusions and guesses about the enigmatic universe and the shapes and life characteristics of many plants and animals. During this period, animal patterns on the pottery craftsmanship, human face fishes and so on all bear the meaning of respecting the gods. This totem culture lays the foundation for the development of traditional auspicious patterns objectively. The earth has enriched the auspicious motifs and has been widely used in architecture, sculpture and carpet art. Rich auspicious languages ​​have begun to appear. The appearance of “everything is good” in the Han Dynasty's brocade and the “longevity of the children” are the true portrayal of this phenomenon. The pattern of Fu, Lu, Shou, Xi and Erlongxi Beads in traditional auspicious patterns on antique carpets has gradually begun to take shape. The two dragons in the “Two Dragons Play Beads” on the carpet are opposite and play with one orb. There are four kinds of spiritual things in Chinese ancient legends: dragon, phoenix, lin, and turtle. These four spirits are all of animal's longer than one and have extraordinary powers. They are ideal mascots. Dragon is the four hands of the spirit, good at change. Long, the length of the worm, can be quiet and bright, can be fine, can be short and long; spring equinox and **, autumnal points and potential sources. Dragon has a supreme position in the legend, and thus became a symbol of imperial power in ancient times. The emperor was called "the true dragon Emperor." Therefore, the dragon pattern can only be used in monasteries and courts. Under the rule of the imperial court will be equal to the official, only with the dragon pattern similar to the pattern. The dragons are different from the claws, the claws are dragons, and the four claws are dragons.

Dragon-themed carpets are mostly court rugs and temple rugs. The dragon is a heavenly fetish, and only when the country's monarchy is clear and clear, Cai Zhao Rui Xiang. Single dragons can also be seen in the carpet. The bead is called "Dragon Ball," and Dragon Ball is a dragon-related bead. Dragon Ball is often hidden in the dragon's mouth. When appropriate, the dragon will spit it out; the value of the dragon ball is very high. In terms of ballads, it is a dragon ball that is better than a thousand hectares of orange beads. It is underwater. Some mollusks are stimulated by certain external conditions. The round granules secreted and formed by their shells are favored by people because of their bright luster. They are therefore called pearls. Since the animals in the water can give birth to pearls, as the long dragon of the aquarium, naturally there must be beads and dates. This is a basic idea that Dragon Ball myth produces. What is embodied and expressed in it is the "life consciousness" of the ancients, that is, the understanding, understanding, and exertion of the life phenomena of uninterrupted succession. The folk legend of swallowing dragons provides a footnote for our view: A young boy mows (or fetches water) a bead, and the bead is placed in a mound and rises into the cashbox to make money. After a rich man knows, bring someone to grab the bead. The young boy put his bead in his mouth and swallowed it. So thirsty to drink, cylinder water to dry, and go to drink rivers and rivers. Drinking and drinking, a horn appeared on his head, his eyes were protruding outwards, and his body grew longer and squashed into a dragon. Such legends are widely spread in places such as Sichuan, Zhejiang, and Guangdong, revealing the preciousness of "beads" and the relationship between the bead and the dragon's life.

The sun is another understanding of the "beads." Some of the dragon-playing bead patterns we saw, especially those of the two dragons playing beaded pattern, had more flames rising from their bead. It was clearly a “fire bead” or “fireball”; the following is the Boiling Sea water, which can be understood as the leap of fireball. Sea surface. In people's views and concepts, the sun can be ranked first. Well, it is clear that the fireball goes to the sea and the sun goes to sea. Since it is the sun going to the sea, why should the dragon come to play? Here we need to introduce the four gods in the eyes of the ancients: the Oriental Qinglong, the Western White Tiger, the Southern Suzaku, and the Northern Basaltic. The sun rises from the east, and the dragon is a fetish representing the East. In this sense, the dragon play beads have the meaning of sun worship, which is the blend of sun worship and dragon worship.

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